Hypermediation and interactivity
for a documentary critique as a multi-media space
DOI:
https://doi.org/10.11606/issn.1982-677X.rum.2019.153379Keywords:
Documentary 3.0, interface, interactivityAbstract
The documental genre is older than the cinema, having emerged in journalistic narratives and in publishing illustrations. With the advent of photography and cinema, the documentary acquired consistency and a proper syntax, considering methodologies and complexities present in the 20th century. Nowadays, it has been changing based on the web space and the digital environment as they offer new tools and possibilities for both creators and audiences. This paper considers the documentary not only as a cinema genre strictly, but essentially as multi-media. Considering the specificities of audiovisual documentaries, it is possible to think of their transition and complementarity firstly on the cinema and then on television. Both dialogue with the specificities of their own media and with the innovation they have brought, corresponding subgenres and possible remixes.
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Declaro a total e irrestrita cessão de direitos autorais sobre o texto enviado para publicação na Rumores – Revista Online de Comunicação, Linguagem e Mídias. Entendo que o conteúdo do artigo é de minha inteira responsabilidade, inclusive cabendo a mim a apresentação de permissão para uso de imagens, ilustrações, tabelas, gráficos de terceiros que, porventura, venham a integrá-lo.

