As cores do som: estruturas sonoras e concepção estética na música afro-brasileira

Authors

  • Tiago Oliveira Pinto Universidade de São Paulo / Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.2526-303X.v0i22-23p87-109

Keywords:

African music, Afro-Brazilian music, Musical analysis, anthropology of the music, Ethnomusicology, Sound structures, Aesthetics.

Abstract

In this paper a sistematization of musical structures of African-Brazilian music and music making is being proposed. Based African musicological concepts, African-Brazilian musical products are perceived in a specific manner. Although not representing African music itself, these Brazilian musical genres are deeply oriented by various principles of musical thinking and musical practices of notorious African background. Taking them over as their own, these Brazilian musics are enabled to go further tracing new paths, specially regarding functional aspects and their esthetic concepts.

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Author Biography

  • Tiago Oliveira Pinto, Universidade de São Paulo / Faculdade de Filosofia, Letras e Ciências Humanas
    Departamento de Antropologia da FFLCH-USP.

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Published

2004-12-09

Issue

No. 22-23 (2004)

Section

Artigos

License

A reprodução de qualquer dado, mesmo em resumo, de matéria contida nesta publicação, só será permitida com a citação do nome, número e o ano desta revista.

How to Cite

PINTO, Tiago Oliveira. As cores do som: estruturas sonoras e concepção estética na música afro-brasileira. África, [S. l.], n. 22-23, p. 87–109, 2004. DOI: 10.11606/issn.2526-303X.v0i22-23p87-109. Disponível em: https://revistas.usp.br/africa/article/view/74580.. Acesso em: 30 dec. 2025.