Between experimental cinema and video art: audiovisual developments

Authors

  • Carmem Martins Coelho Universidade de Brasília
  • Susana Madeira Dobal Jordan Universidade de Brasília

DOI:

https://doi.org/10.11606/issn.1982-1689.anagrama.2023.210545

Keywords:

Cinema Experimental, Videoarte, Arte Contemporânea, Imagem

Abstract

This work consists of an analysis of art forms linked to the moving image in the current scenario. The study aims to analyze the process of convergence between experimental cinema and video art, in order to understand the aesthetic and political movements that culminated in this conjuncture. For this, a bibliographic review of influential authors on the subject and a theoretical-critical analysis of artists who produce within this perspective, such as André Parente and Luc Courchesne, were carried out. From the results of the research, it was possible to conclude that the division between experimental cinema and video art is anachronistic, since art is increasingly multimedia and that artists turn their attention to the problems of a computerized society.

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Author Biography

  • Susana Madeira Dobal Jordan, Universidade de Brasília

    Susana Dobal é professora associada da Universidade de Brasília (UnB). Graduada em Jornalismo (UnB - 1988), em Língua Portuguesa e Literatura Brasileira (UnB -1989), tem especialização em Teoria da Literatura (UnB - 1992), mestrado em Fotografia (New York University/International Center of Photography - 1994), doutorado em História da Arte (City University of New York/Graduate Center - 2003) e pós-doutorado na Université Paris 8 (2009) e na Aix-Marseille Université (2014).

References

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BALSOM, Erica. Original copies: how film and video became art objects. In KHOLEIF, Omar (org.). Moving Image : documents of contemporary art. London, Whitechapel Gallery e Cambridge, MA: MIT Press, 2015.

BELLOUR, Raymond. Entre-imagens: foto, cinema, video. Campinas, SP: Papirus,

COSTA, Helton Luis Paulino. Nas passagens das artes: conexões e assimetrias entre o cinema experimental e a vídeo-arte. (dissertação). UFPB, 2016. Disponível em: <https://repositorio.ufpb.br/jspui/bitstream/123456789/19868/1/HeltonLuisPaulinoDaCosta_Dissert.pdf>. Acesso em: 11 de dez. de 2022.

DUBOIS, Philippe. Um “efeito cinema” na arte contemporânea. In COSTA, Luís Cláudio. (org.). Dispositivos de registro na arte contemporânea. Rio de Janeiro: Contracapa, 2009. Cap. 02, p. 179-216.

JAMESON, Fredric. Pós-Modernismo: A Lógica Cultural do Capitalismo Tardio. São Paulo: Editora Ática, 1991.

MACHADO, Arlindo. Pré-cinemas e pós-cinemas. Campinas, SP: Papirus, 1997.

RUSH, Michael. Novas mídias na arte contemporânea. 2 ed. Trad. Cássia Maria Nasser. São Paulo: Martins Fontes, 2013

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Published

2023-07-10

Issue

Vol. 17 No. 1 (2023): Janeiro-Junho de 2023

Section

Artigos

License

Copyright (c) 2023 Carmem Martins Coelho, Susana Dobal

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

Coelho, C. M., & Jordan, S. M. D. . (2023). Between experimental cinema and video art: audiovisual developments. Anagrama, 17(1), 1-13. https://doi.org/10.11606/issn.1982-1689.anagrama.2023.210545