A propaganda onipresente e a crítica ao ambiente urbano:

o retrato do situacionismo na série televisiva Black Mirror

Authors

DOI:

https://doi.org/10.11606/issn.1982-1689.anagrama.2018.150086

Abstract

This article is intended to relate works by author Guy Debord, including his collaboration in the European social criticism movement Situationism (1957) and his theory of the "Society of the Spectacle", with the British series Black Mirror, created by Charlie Brooker. Terms present in situationalist theses such as Deriva and Psychogeography, as well as the intensive approach to utopia, serve as the basis for criticism and analysis of episodes of the series, such as Fifteen Million Merits (2011), the one chosen to be studied in this work. The omnipresent propaganda and criticism of the human creation of the urban environment are the main points connected, shared by both works, which shows the presence and actuality of the situationist theses in the 21st century.

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Author Biographies

  • Giulia Franceschi Tessarini, PUC-Campinas

    Aluna de graduação do curso de Publicidade e Propaganda da PUC-Campinas. Bolsista de iniciação científica PIBIC/CNPq

  • Tarcisio Torres Silva, PUC-CAMPINAS
    Professor pesquisador do Centro de Linguagem e Comunicação da Pontifícia Universidade Católica de Campinas. Coordenador do mestrado interdisciplinar em Linguagens, Mídia e Arte na mesma universidade. Doutor em Artes Visuais pela Unicamp, com período de estágio no departamento de Estudos Culturais, Goldsmiths College, Universidade de Londres.

Published

2018-11-13

How to Cite

Tessarini, G. F., & Silva, T. T. (2018). A propaganda onipresente e a crítica ao ambiente urbano:: o retrato do situacionismo na série televisiva Black Mirror. Anagrama, 12(2). https://doi.org/10.11606/issn.1982-1689.anagrama.2018.150086