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Vol. 14 No. 1 (2024): Practice as research in the Performing Arts

View Vol. 14 No. 1 (2024): Practice as research in the Performing Arts

Published: 2024-10-31

Full Issue

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Editorial

Practice as research: a more than current debate

Mariana Zimmermann, Danilo Arrabal, Nailanita Prette, Mateus Fávero, Maíra Gerstner

1-7
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Artigos (Articles)

Considerations on some research methodologies in the Performing Arts and their textual production in academia

Ines Saber

8-36
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Creation-Research, Philosophy of Theatrical Praxis and knowledge production: actor and spectator as subjects of Artistic Research

Jorge Dubatti

37-51
- PDF (Spanish)
- PDF (Portuguese (Brazil))
Making-with Practice as Research: weaving collective experiences of knowledge production in the performing arts

Silvia Maria Geraldi

52-69
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Performance Ethnography as a research methodology in performing arts

Luciana Hartmann, Ana Carolina de Sousa Castro

70-88
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Non-binarity as a principle of the performative program: the perception of the world’s scenic power through gender transition

Oliver Olívia Lagua de Oliveira Bellas Fernandes

89-101
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Practice as research: provocations from a dark and afromatized place

Victor Hugo Neves de Oliveira, Kennyo Severa

102-116
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“From Plankton to Human Bodies”: Plurality of Interacting Systems

Marcilene Lopes de Moura

117-130
- PDF (Portuguese (Brazil))
Notes on notes: dialogues between two logbooks as a path to research on creative processes

Marcos Coletta

131-144
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The indissoluble sensation: The transduction between body and sound as PaR

Andrés Grumann Sölter, Camila R. Cannobbio

145-158
- PDF (Portuguese (Brazil))
- PDF (Spanish)
We speak to you in chorus because no longer can anyone talk for themselves. The search for a research/creation methodology beyond the anthropocentric in vocal practices for the theatre scene

Luis Aros

159-177
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- PDF (Spanish)

Forma Livre (Free Form)

Diagramaturgia “Figura Humana”

David Atencio

178-215
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