“Speak to the eyes”: poetic formations in the digital universe
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i17p75-108Keywords:
Digital art, electronic literature, Internet, materiality, concretismAbstract
With the aim of thinking about certain aspects of the present, in the following article we approach a corpus of poetic formations of the digital environment. We start from the hypothesis that they reflect in a specular manner the medium that contains them, but at the same time they question a widespread thought about the immateriality of the new environment. In principle, we investigate the decentralization of hypertext as a textual message itself and the multimedia condition that characterizes them, but to analyze how the recreation of this “soft apparatus” (Vilém Flusser) is stressed by the vocation of a certain materiality that, in the case of the selected formations, follows the patterns of concrete art.
Downloads
References
Downloads
Published
Issue
Section
License
Copyright (c) 2019 Germán Ledesma
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).
