Cinema, poesia e história: uma leitura do filme El espíritu de la colmena de Victor Erice
DOI:
https://doi.org/10.11606/issn.2316-9125.v25i1p155-168Keywords:
Spanish cinema, Civil War Spanish, Poetry, Antonio Machado, Miguel de UnamunoAbstract
Victor Erice's El espíritu de la colmena (1973) is considered one of the most beautiful Spanish films from the 1970s. The film, in addition to internally articulating the complex network of meanings that the Civil War and Francoism played in Spanish history and culture, shows other subtleties and strategies used by the director to construct his narrative. One of them is poetry itself. And since many of the images in the film tell us about some of Antonio Machado's poems read from Miguel de Unamuno's perspective, I propose for this review the exercise of seeing how Victor Erice intertwined images and poetry to speak of one of the most tragic periods in Spanish history.
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References
CAMUS, Albert. ¡España Libre! Madrid: Júcar, 1978. (Coleção Crónica General de España).
EL ESPÍRITU de la Colmena. Direção de Victor Erice. Roteiro de Victor Erice e Ángel Fernandez Santos. Produção de Elias Querejeta. Música de Luis de Pablo. Fotografia de Luis Cuadrado. Montagem de Pablo G. Del Amo. [S. l.]: Elías Querejeta Producciones Cinematográficas S.L., 1973.
FRANKENSTEIN. Direção de James Whale. Roteiro baseado na novela de Mary Shelley. Produção de Carl Laemmle Jr. Música de Bernhard Kaun. Estados Unidos: Universal Pictures, 1931.
MACHADO, Antonio. Poesías Completas: Soledades (1899-1907). Madrid: Espasa-Calpe, 1979.
MACHADO, Antonio. Campos de Castilla. Edição de Geoffrey Ribbans. Madrid: Cátedra, 1997.
MACHADO, Antonio. Antologia. In: CATALÃO, Marco Aurélio Pinotti. Antologia e tradução comentada da obra de Antonio Machado. 2002. Dissertação (Mestrado em Teoria e História Literária) – Universidade Estadual de Campinas, Campinas, 2002. p. 41-316.
MONTERDE, José Enrique. Veinte años de cine español (1973-1992): un cine bajo la paradoja. Barcelona: Paidós, 1993.
UNAMUNO, Miguel de. Soledad. In: Obras Completas. Madrid: A Aguado, 1958. t. 3, p. 881-901.
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