Documentary producers and camera eyes do not lie
DOI:
https://doi.org/10.11606/issn.2316-9125.v0i24p87-93Keywords:
documentary, cinema, popular movement, Renato Tapajós, professional ethicsAbstract
The author talks about his experience as a movie producer, directing documentaries aimed at portraying popular struggles. His first challenge is to understand the force there is behind registering images that end up speaking louder than the director’s editing project. He talks about how his films passed the challenge of producer censorship, active subjects of the struggles he reported on, and how he guided himself, on those occasions, in order to defend the integrity of his work.
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