Narratives that overpass inland landscapes: a study on cinema building the imaginary in process

Authors

  • Maria Ignês Carlos Magno Universidade Anhembi Morumbi e Fundação Escola de Sociologia e Política de São Paulo.

DOI:

https://doi.org/10.11606/issn.2316-9125.v15i1p131-142

Keywords:

identity, migration, displacement, imaginary, cinema.

Abstract

In this Videography, the study of Brazilian identity construction is the reason to discuss how contemporary Brazilian cinema represents the imaginary of its migrant characters, or the ones
returning to their birthplaces. Constant issue in sociology, history, anthropology, geography and literature disciplines, the
section has chosen films in which the road and the displacement are predominant in terms of scenario and action, and in which they are the place of infl ow, evanescence, ephemeral, sociability, discoveries and construction of imaginaries in these films narratives, as in O caminho das Nuvens (2003), by Vicente Amorim, and Cinema, Aspirinas e Urubus (2005) by Marcelo Gomes.

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Author Biography

  • Maria Ignês Carlos Magno, Universidade Anhembi Morumbi e Fundação Escola de Sociologia e Política de São Paulo.
    Doutora em Ciências da Comunicação pela ECA/USP.
    Professora do mestrado em Comunicação da Universidade Anhembi Morumbi e da Fundação Escola de Sociologia e Política de São Paulo.

Published

2010-04-30

How to Cite

Magno, M. I. C. (2010). Narratives that overpass inland landscapes: a study on cinema building the imaginary in process. Comunicação & Educação, 15(1), 131-142. https://doi.org/10.11606/issn.2316-9125.v15i1p131-142