Narratives that overpass inland landscapes: a study on cinema building the imaginary in process
DOI:
https://doi.org/10.11606/issn.2316-9125.v15i1p131-142Keywords:
identity, migration, displacement, imaginary, cinema.Abstract
In this Videography, the study of Brazilian identity construction is the reason to discuss how contemporary Brazilian cinema represents the imaginary of its migrant characters, or the onesreturning to their birthplaces. Constant issue in sociology, history, anthropology, geography and literature disciplines, the
section has chosen films in which the road and the displacement are predominant in terms of scenario and action, and in which they are the place of infl ow, evanescence, ephemeral, sociability, discoveries and construction of imaginaries in these films narratives, as in O caminho das Nuvens (2003), by Vicente Amorim, and Cinema, Aspirinas e Urubus (2005) by Marcelo Gomes.
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