La belle personne: the issue of double goes to movie screen

Authors

  • Rodrigo Fontanari Pontifícia Universidade Católica de São Paulo.

DOI:

https://doi.org/10.11606/issn.2316-9125.v15i2p41-49

Keywords:

double, image, photograph, portrait, La belle personne.

Abstract

This article is based on the matter of the double applied to reading a photograph, especially a portrait. Such an imprisoned image acquires projection quality and becomes concious, playing
the role of an autonomous entity which survives the subject who grounded its genesis, sharing a certain identification with him. A paradox is before us: the photograph, as a double, reveals itself
at the same time as the presence of an absence, and the absence of a presence. We chose the film La belle personne in order to analyze the anthropological role of the photograph.

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Author Biography

  • Rodrigo Fontanari, Pontifícia Universidade Católica de São Paulo.
    Doutorando e mestre pela Pontifícia Universidade Católica de São Paulo.

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Published

2010-08-30

Issue

Vol. 15 No. 2 (2010): Comunicação e escola: pesquisando jovens professores

Section

National Articles

License

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How to Cite

Fontanari, R. (2010). La belle personne: the issue of double goes to movie screen. Comunicação & Educação, 15(2), 41-49. https://doi.org/10.11606/issn.2316-9125.v15i2p41-49