Vol. 18 No. 35 (2026): Autores críticos e críticos autores: curadoria, apropriação, transcriação

Editorial

• Editorial

  Lilian Jacoto, Maria Elisa Rodrigues Moreira, Felipe Marcondes da Costa

  1-12

  • PDF (Portuguese (Brazil))

Dossiê

• Elizabeth and Ivanilton

  Filipe Manzoni

  14-33

  • PDF (Portuguese (Brazil))

• Polyphonic transits: body and performance between collage and assemblage

  Elilson Gomes do Nascimento

  34-52

  • PDF (Portuguese (Brazil))

• The Deletério green-and-yellow: reflections on a computer-generated poem

  Fabio Oliveira Nunes

  53-74

  • PDF (Portuguese (Brazil))

• Pixels de festim: the poetry of Manoel Bispo Corrêa in the expanded field

  Ingrid Lara de Araújo Utzig

  75-92

  • PDF (Portuguese (Brazil))

• Fiama reads Plato, Sofocles and Garrett with the characters

  Felipe Frasson Fusco

  93-109

  • PDF (Portuguese (Brazil))

• In the wings of the butterfly the colors of a painting and the trail of a life: Martha Telles by Agustina Bessa-Luís

  Roberto Xavier de Oliveira

  110-130

  • PDF (Portuguese (Brazil))

• Los traidores, by Silvina Ocampo and J. R. Wilcock: recontextualisation and appropriation of a roman tragedy

  Patrícia Names

  131-144

  • PDF (Portuguese (Brazil))

• Armando Nascimento Rosa: an author-researcher in contemporary Portuguese theatre

  Rosana Baú Rabello

  145-166

  • PDF (Portuguese (Brazil))

• Mario Claudio's A alma vagueante: the writer among equals

  Mariana Caser da Costa

  167-181

  • PDF (Portuguese (Brazil))

• Mediation, criticism, friendship: Murilo Mendes writes to António Ramos Rosa and André Frénaud

  Aline Leão do Nascimento

  182-201

  • PDF (Portuguese (Brazil))

• Appropriation and lessons Opisanie swiata, in by Veronica Stigger

  Gustavo Nascimento, Luciene Azevedo

  202-218

  • PDF (Portuguese (Brazil))

• The post-production aesthetics in Autobiografia, by José Luís Peixoto

  Cristian Borba da Silveira

  219-234

  • PDF (Portuguese (Brazil))

Entrevistas

• “Partir do nada seria estéril”: repeating and filtering, thinking and writing literature today - interview with Pedro Eiras

  Bruna Fontes Ferraz, Maria Elisa Rodrigues Moreira

  236-245

  • PDF (Portuguese (Brazil))

• Fernando Pessoa ironist - interview with Caio Gagliardi

  Roberta Ferraz

  246-252

  • PDF (Portuguese (Brazil))

• Writing beyond books: writing as expression in Contemporary Art - interview with Fabio Morais

  Felipe Marcondes da Costa

  253-264

  • PDF (Portuguese (Brazil))

Resenhas

• On the margin between criticism and creation: appropriation and curation in Gonçalo M. Tavares

  Rodrigo Felipe Veloso

  266-270

  • PDF (Portuguese (Brazil))

• “Forgetting words and losing eternities”: memory and oblivion in A Força das Sentenças by Pedro Almeida Maia

  Renan Henrique Messias de Paulo

  271-278

  • PDF (Portuguese (Brazil))

Outros Desassossegos

• A língua do segredo de Herberto Helder

  Maruzia Dultra

  280-283

  • PDF (Portuguese (Brazil))

• Bibliomancia e algumas ficções

  Daniela Cavalin Avelar

  284-292

  • PDF (Portuguese (Brazil))

• Manipulação do objecto de estudo, os perigos

  Gonçalo M. Tavares

  293-295

  • PDF (Portuguese (Brazil))

• Aviação e pensamento

  Gonçalo M. Tavares

  296-298

  • PDF (Portuguese (Brazil))

• Escada e linha

  Gonçalo M. Tavares

  299-301

  • PDF (Portuguese (Brazil))

• Expediente

  302-305

  • PDF (Portuguese (Brazil))