Adília Lopes: poems as photos

Authors

DOI:

https://doi.org/10.11606/issn.2175-3180.v17i34p264-274

Keywords:

Adília Lopes, Poetry, Rewriting, Close reading, Revisitation

Abstract

In this reflection, I suggest a different way of looking at Adília Lopes, following a link between her poems and photographs, as objects that share common attributes in Adília's world. Starting from a close-reading exercise of a poem published in her first book, I reveal two dimensions in Adília's poetry: one visible and the other not so much.

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Author Biography

  • Frederico Andrade, NOVA University of Lisbon – School of Social Sciences and Humanities (NOVA FCSH)

    Graduated in Law from the Portuguese Catholic University and currently studying for a Master's Degree in Portuguese Studies at the Faculty of Social Sciences and Humanities of the New University of Lisbon, currently working on his dissertation “Com Algumas Coisas de Adília Lopes”. 

References

ENGELMAYER, Elfried. “Posfácio". In: LOPES, Adília. Obra. Lisboa: Mariposa Azul, 2020. p. 469-472.

LOPES, Adília. Dobra, Poesia Reunida 1983-2021. Lisboa: Assírio & Alvim, 2021.

SOURIAU, Étienne. “Del modo de existencia de la obra por hacer”. Los diferentes modos de existencia. Tradução de Sebastián Puente. Ciudad Autónoma de Buenos Aires: Cactus, 2017.

Published

2025-10-22

How to Cite

Andrade, F. (2025). Adília Lopes: poems as photos. Revista Desassossego, 17(34), 264-274. https://doi.org/10.11606/issn.2175-3180.v17i34p264-274