Vol. 12 No. 22 (2020): O autor na poesia moderna e contemporânea

Editorial

• Autoria... Dissolução... Desassossegos...

  Mônica Muniz de Souza Simas, Paola Poma, Carlos Gontijo Rosa, Rosely de Fátima Silva

  1-8

  • PDF (Portuguese)

Dossiê

• Modernism and consecration of the supra-subject

  Dionísio Vila Maior

  9-21

  • PDF (Portuguese)

• “I am solid, and I have (or am) a work”: Herberto Helder and the ambition to be a poem

  Constance von Krüger de Alcântara e Silva

  22-46

  • PDF (Portuguese)

• Herberto Helder: on modern poetry absolute condition

  Fernando Jorge Oliveira Ribeiro

  47-75

  • PDF (Portuguese)

• “Roof rice”: the copyright gestures of/in Adília

  Paulo Alberto da Silva Sales

  76-93

  • PDF (Portuguese)

• "That the work/ do not oppose/ to life”: tensions between testimony and pretending in the poetic construction of Adília Lopes/Maria José

  Ian Anderson Maximiano Costa

  94-112

  • PDF (Portuguese)

• Collective Authorship in Poesia, de António Maria Lisboa

  Danilo Rodrigues Bueno

  113-135

  • PDF (Portuguese)

• From abjectionism to neo-abjectionism: perspectives on the author's liberation and exemplarity

  Rui Daniel Sousa

  136-169

  • PDF (Portuguese)

Vária

• The man, the earth and the imaginary in Lídia Jorge’s O Dia dos Prodígios

  Ana Maria Saldanha

  170-188

  • PDF (Portuguese)

• “História da Gata Borralheira” – the morality between the good and the evil in the social classes relation Português

  Nathália Macri Nahas

  189-210

  • PDF (Portuguese)

Outros Desassossegos

• Impossivelmente

  Avani Souza Silva

  211-213

  • PDF (Portuguese)

• Expediente

  231-233

  • PDF (Portuguese)