The centrality of art in the Critique of Judgment
DOI:
https://doi.org/10.11606/issn.2318-8863.discurso.2023.215679Keywords:
Kant, beauty, art, universal voice, sensus communisAbstract
Although natural objects are usually considered the most paradigmatic case for Kant’s discussions of beauty in the third critique, we find many references to art in the “Transcendental Deduction” developed in §§30-38. In this paper, I argue that nature and art both play central roles in Kant’s aesthetics. Natural beauty is paradigmatic because it better represents the ideal of purity of a pleasure entirely founded in the play of our transcendental faculties; but art is also paradigmatic because it is by making judgments about it that we better strive to achieve such an ideal.Downloads
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