O Ukiyo-e como crônica visual ou a modernidade do prosaico

Authors

  • Afonso Medeiros Universidade Federal do Pará

DOI:

https://doi.org/10.11606/issn.2447-7125.v0i22p19-38

Keywords:

Japanese woodblock prints, visual chonicle, aesthetics, modernity, Peirce.

Abstract

The object of this essay is the research of the 18th and 19th centuries Japanese woodblock prints by the analysis of the Moreira Salles Institute Collection. In general lines, this analysis is based on the development of the concept of visual chronicle applied to the historical and aesthetic universe of the woodblock prints in this period. In between, it employs the notion of modernity and the American philosopher Charles Sanders Peirce's theory of signs.

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Author Biography

  • Afonso Medeiros, Universidade Federal do Pará
    mestre em Arte-Educação pela Universidade de Shizuoka, doutor em Comunicação e Semiótica pela Pontifícia Universidade Católica de São Paulo, é professor de Estética e História da Arte da Universidade Federal do Pará, em Belém.

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Published

2002-07-10

Issue

No. 22 (2002)

Section

não definida

License

Copyright (c) 2002 Afonso Medeiros

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

How to Cite

Medeiros, A. (2002). O Ukiyo-e como crônica visual ou a modernidade do prosaico. Estudos Japoneses, 22, 19-38. https://doi.org/10.11606/issn.2447-7125.v0i22p19-38