Zen-Ga - um breve estudo semiótico

Autores/as

  • Yoko Fujino

DOI:

https://doi.org/10.11606/ej.v0i21.142781

Palabras clave:

painting, zen, circle, opposition, meditation.

Resumen

The Japanese zen painting, better known as , is largely diffused in non-Asiatic countries, including Brazil. But few people know its non-figurative version. Semiotical analysis of Bankei’s painting was made, comparing to Hakuin s and Ungo’s, in order to show the principles of abstract zen painting, its abstraction and the values that are on stake.

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