Nostalgia, fuga e efemeridade em Hôjôki

Auteurs

  • Fernando Carlos Chamas Universidade de São Paulo

DOI :

https://doi.org/10.11606/issn.2447-7125.v0i32p47-60

Mots-clés :

kamo no chômei, hôjôki, mujô, religion and art, spiritual escape

Résumé

Kamo no Chômei5s altitude of living in “artiste retreat” and his work Hôjôki, 1212, reflect not only his individual past，but also the end of Heian period (794-1185) and the decline of aristocracy，as well as his interprétation of Buddhism through émotions such as nostalgia, escape and ephemerality mujô.

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Biographie de l'auteur

  • Fernando Carlos Chamas, Universidade de São Paulo
    Mestre em Língua, Literatura e Cultura Japonesa com enfoque em Cultura Budista pela Universidade de São Paulo (USP).

Téléchargements

Publiée

2012-07-10

Numéro

No 32 (2012)

Rubrique

não definida

Licence

(c) Copyright Fernando Carlos Chamas 2012

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.

Comment citer

Chamas, F. C. (2012). Nostalgia, fuga e efemeridade em Hôjôki. Estudos Japoneses, 32, 47-60. https://doi.org/10.11606/issn.2447-7125.v0i32p47-60