A classification of iconicity from Peircean phaneroscopy
DOI:
https://doi.org/10.11606/issn.1980-4016.esse.2025.240594Keywords:
Iconicity, Peircean semiotics, Phaneroscopy, Diagram, AbductionAbstract
This article proposes an expanded classification of iconicity anchored in Charles S. Peirce’s phaneroscopy and articulated through a compositional scheme that explains why the forms of iconicity accessible to consciousness are, in general, degenerate. I start from the hypothesis that pure icons — occurrences of Firstness in which there is formal indiscernibility between sign and object — afford a kind of immediate cognition that resists reflective thematization; therefore, most of what we call “iconic representation” in mental and cultural life appears in the degenerate forms of ergosemes (firstness of secondness) and metaphors (firstness of thirdness). I show that, by applying compositional rules inspired by Peirce’s speculative grammar, it is possible to derive 36 classes whose second correlate (the sign–object relation) is iconic (whether pure or degenerate).
Downloads
References
BELLUCCI, Francesco. Peirce’s speculative grammar. London/New York: Routledge, 2017.
BURKS, Arthur W. Icon, index, and symbol. Philosophy and Phenomenological Research, v. 9, n. 4, p. 673–689, 1949.
CONTRERA, Malena Segura; BAITELLO JÚNIOR, Norval. Na selva das imagens: algumas contribuições para uma teoria da imagem na esfera das ciências da comunicação. Significação: Revista de Cultura Audiovisual, v. 33, n. 25, p. 113–126, 2006. Disponível em: https://doi.org/10.11606/issn.2316-7114.sig.2006.65623. Acesso em: 15 ago. 2025.
DAMÁSIO, António. The feeling of what happens. New York: Harcourt, 1999.
DYMEK, Anne. Perception, Dreams, Films: Iconicity and indexicality in Peirce’s Theory of Perception. Recherches sémiotiques/Semiotic Inquiry, v. 33, n. 1–2–3, p. 39–61, 2013. Disponível em: https://doi.org/10.7202/1035283ar. Acesso em: 15 ago. 2025.
ECO, Umberto. A theory of semiotics. Bloomington: Indiana University Press, 1976.
ECO, Umberto. Kant and the Platypus: Essays on language and cognition. London: Secker & Warburg, 1999.
JAPPY, Anthony. Peirce’s twenty-eight classes of signs and the philosophy of representation. London/New York: Bloomsbury, 2016.
MANNHEIM, Bruce. Iconicity. Journal of Linguistic Anthropology, v. 9, n. 1–2, p. 107–110, 2000.
NÖTH, Winfried. Peircean semiotics in the study of iconicity in language. Transactions of the Charles S. Peirce Society, v. 35, n. 3, p. 613–619, 1999. Disponível em: https://www.jstor.org/stable/40320442. Acesso em: 15 ago. 2025.
NÖTH, Winfried. Peirce’s iconicity and his image-diagram-metaphor triad revisited. Semiotica, v. 258, p. 143–167, 2024. Disponível em: https://doi.org/10.1515/sem-2022-0119. Acesso em: 15 ago. 2025.
PEIRCE, Charles Sanders. Collected Papers of Charles Sanders Peirce. 8 v. Ed. C. Hartshorne; P. Weiss (v. 1–6, 1931–1935); A. W. Burks (v. 7–8, 1958). Cambridge, MA: Harvard University Press, 1931–1958.
PEIRCE, Charles Sanders. Syllabus of certain topics of logic. Lowell, MA: [s.n.], 1903.
PEIRCE, Charles Sanders. The essential Peirce: Selected Philosophical Writings. v. 1 (1867–1893) e v. 2 (1893-1913). Bloomington: Indiana University Press, 1992 e 1998.
QUEIROZ, João; ATÃ, Pedro. Iconicity in Peircean situated cognitive semiotics. 2014. Disponível em: https://www.iconicity-group.org/wp-content/uploads/2014/05/44_Queiroz_Ata.pdf. Acesso em: 15 ago. 2025.
ROMANINI, Vinicius. A periodic table for Peirce’s sixty-six classes of signs. The Pluralist, v. 19, n. 3, p. 1–21, 2024. Disponível em: https://muse.jhu.edu/article/939554/. Acesso em: 15 ago. 2025.
SEBEOK, Thomas. Iconicity. MLN, v. 91, n. 6, p. 1427–1456, 1976. Disponível em: https://doi.org/10.2307/2907142. Acesso em: 15 ago. 2025.
SHORT, Thomas. Peirce’s theory of signs. Cambridge: Cambridge University Press, 2007.
SONESSON, Göran. Pictorial concepts: inquiries into the semiotic heritage and its relevance for the analysis of the visual world. Lund: Lund University Press, 1989.
STJERNFELT, Frederik. Diagrammatology: an investigation on the borderlines of phenomenology, ontology, and semiotics. Dordrecht: Springer, 2007.
STJERNFELT, Frederik. Sheets, diagrams, and realism in Peirce. Berlin/Boston: De Gruyter, 2022.
THELLEFSEN, Martin; FRIEDMAN, Alon. Icons and metaphors in visual communication: the relevance of Peirce’s theory of iconicity for the analysis of visual communication. Public Journal of Semiotics, v. 10, n. 2, p. 1–15, 2023. Disponível em: https://doi.org/10.37693/pjos.2023.10.24762. Acesso em: 15 ago. 2025.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Vinicius Romanini

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors grant the journal all copyrights relating to the work published. The concepts expressed in signed articles are absolute and exclusive responsibility of their authors.