The poetics of image according to Bachelard

Authors

  • Claude Zilberberg Séminaire Intersémiotique de Paris, France.

DOI:

https://doi.org/10.11606/issn.1980-4016.esse.2019.156342

Keywords:

Bachelard, Poetical image, Semiotic modes, Enunciation, Tensivity

Abstract

By proposing an interpretation of Gaston Bachelard's The Poetics of Space (1957), Claude Zilberberg discusses the philosopher's widely-known book to review some of the core concepts of tensive semiotics in its latest phase, with special emphasis on the so-called semiotic modes: the mode of efficiency (occurrence vs. achievement), the mode of existence (apprehension vs. intent) and the mode of junction (concession vs. implication). The author also tackles the theory of subvalences – tonicity, tempo, spatiality and temporality – as well as the role played by the 'syntactic styles' when it comes to the choices made by the subject of enunciation in a given utterance.

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Author Biography

  • Claude Zilberberg, Séminaire Intersémiotique de Paris, France.

    Séminaire Intersémiotique de Paris, France. Website pessoal: www.claudezilberberg.org .

References

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BRELET, G. Le temps musical. Tome 1. Paris : PUF, 1949.
CASSIRER, E. Langage et mythe. Paris : Les Éditions de Minuit, 1989.
CLAUDEL, P. L’œil écoute. In : Claudel, P. Œuvres en prose. Paris : Gallimard, coll. La Pléiade, 1973.
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SAUSSURE, F. de. Cours de linguistique générale. Paris : Payot, 1962.
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WÖLFFLIN, H. Les principes fondamentaux de l’histoire de l’art. Brionne : G. Monfort, 1986.

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Published

2019-04-11

Issue

Vol. 15 (2019): edição especial em homenagem a Claude Zilberberg

Section

Articles

License

Copyright (c) 2019 Claude Zilberberg

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How to Cite

Zilberberg, C. (2019). The poetics of image according to Bachelard. Estudos Semióticos, 15, 1-10. https://doi.org/10.11606/issn.1980-4016.esse.2019.156342