Art and technique in Martin Heidegger’s Thought
DOI:
https://doi.org/10.11606/issn.2318-9800.v29i1p65-78Keywords:
art, technique, Heidegger, modernity, truthAbstract
With the following article we intend to investigate the relation of ambiguity between art and technique in the thought of Martin Heidegger. Having as main references the texts Die Frage nach der Technik e and Die Ursprüng des Kunstwerkes the main objective is to understand the two sides of this relation, since in Heideggerian thought these two dimensions have fundamental differences, but a common origin and meaning that can be thought from their Greek origin. Therefore, we attempt to underline the radicality of the thought effort proposed by Heidegger based on its circular aspect.
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