From the suffocating materiality to the computerized body: a spiral dance between corporality and cyborg existence based on an anthropological analysis of the movie Gattaca
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2017.129178Keywords:
Anthropology of body, Cinema, Cyborg, Domination informatics, BodyAbstract
It is intended, in this paper, to set up some of the possible relations between body and technology in the sci-fi movie Gattaca, from some contemporary anthropological debates about the body. Trying to make such relations and its criss-crosses clearer, we interrogate which representations and speeches on corporality are shown in Gattaca, focusing the body computerization that operates in the movie context, and associating it to the ideas of Donna Haraway and David Le Breton. As we are about to see, although at the first moment the perspectives of these authors may seem to be in opposition, their reasoning logics, in some cases, walk in parallel.Downloads
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2017-05-29
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How to Cite
Rauber-Baio, Halina, and Martina Ahlert. 2017. “From the Suffocating Materiality to the Computerized Body: A Spiral Dance Between Corporality and Cyborg Existence Based on an Anthropological Analysis of the Movie Gattaca”. GIS - Gesture, Image and Sound - Anthropology Journal 2 (1). https://doi.org/10.11606/issn.2525-3123.gis.2017.129178.