What is to be done about what is to be done? Some questions about Waly Salomão's Me segura qu'eu vou dar um troço

Abstract

This essay aims at discussing Waly Salomão's Me seugra qu'eu vou dar um troço. Taking as it s preliminary hypothesis that the process of production surpasses the private realm and becomes an internal determinant of the "work" and of the reading process, it intends to demonstrate the broadening of the situations of utterance, the interplay with the acts implict in the use of language and, morever, the inscription of the body in its operation.