A invisibilidade da imagem na prosa final de Beckett

Abstract

The Samuel Beckett’s final prose seems to have been guided towards an evanescence of all images. His “non mot” literature is marked by an unusual characters and scenarios, emerging on the border of its own dissolution. We have fragile images that challenge the common perception, shifting time and space. Which is the statute of these images that embody a kind of invisibility or limit of the vision? The emptiness or nothingness: how to figure them? How can we embody non-perceptive forms? These are the questions that lead us to think about the image as present-absent in Beckett's literature and its consequences for the reading of Beckett’s text.