Vol. 2 No. 2 (1997)

View Vol. 2 No. 2 (1997)
Published: 1997-12-04

Editorial

  • Editorial

    19-19
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p19-19

Library

  • Orality, writing and literature: Havelock and the Greeks: questions of Psychoanalysis and Literature

    Jacyntho Lins Brandão
    222-231
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p222-231

  • On the Incarnate Word

    João A. Frayze-Pereira
    232-236
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p232-236

  • The seduction of the "confluences"

    Boris Schnaiderman
    237-238
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p237-238

  • Two Brazilians

    Arthur Nestrovski
    238-243
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p238-243

Testemonies

  • Décio de Almeida Prado on Paulo Emílio Salles Gomes

    Cláudia de Arruda Campos, Ivone Daré Rabello
    188
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p188

  • On Paulo Emílio

    Décio de Almeida Prado
    189-199
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p189-199

  • Bibliography of Paulo Emílio

    Francisco Roberto P. L. Mariutti
    200-207
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p200-207

  • "Pano pra manga"

    Teresa Pires Vara
    208-220
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p208-220

Essays

  • A photograph on the wall

    João Luiz Lafetá
    26-36
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p26-36

  • Interarts studies: on concepts, terms, objetives

    Claus Clüver
    37-55
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p37-55

  • Homological relations between literature and the plastic arts: some considerations

    Aguinaldo José Gonçalves
    56-68
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p56-68

  • The art of painting in literature

    Roberto Carvalho de Magalhães
    69-88
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p69-88

  • "O sentimento dum ocidental": an intersemiotic reading

    Danilo Lôbo
    89-99
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p89-99

  • On Mallarmé and the arts

    Zênia de Faria
    100-108
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p100-108

  • The spoken word, the recitative, and the sung word: the structure of action in the Roman comedy

    Johnny José Mafra
    109-118
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p109-118

  • Meyerhold and biomechanics: poetics of the body

    Arlete Orlando Cavaliere
    119-125
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p119-125

  • The gaze and the voice: the multifocal narration in film and the import of History in São Barnardo

    Ismail Xavier
    126-138
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p126-138

  • Music and literature: the tune and the lyrics

    Enio Squeff
    139-142
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p139-142

  • Guilhermina or the art of listening to birds

    Beatriz de Mendonça Lima
    143-159
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p143-159

  • The wealth of the poor

    Maria Ignez Novais Ayala
    160-169
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p160-169

  • The "eternal feminine": modulations (on the lyrics of Chico Buarque's songs)

    Adélia Bezerra de Meneses
    170-185
    DOI: https://doi.org/10.11606/issn.2237-1184.v0i2p170-185