Artificial Intelligence applied to artistic creation: the emergence of the new craftsman
DOI:
https://doi.org/10.11606/issn.2596-2477.i44p68-81Keywords:
art and artificial intelligence, art and technology, art theory, art criticism, playformAbstract
The imminence of techno-scientific developments observed especially since the 1960s have broadened the ways in which artists can express themselves, mainly through the adoption of and collaboration with intelligent interfaces, which increasingly assimilate human qualities and are capable of supporting creativity. From this scenario arises the man-machine engagement, which blurs the artistic practice and materializes itself in hybridization - a symbiosis that adopts the body as a metaphor to symbolize complex systems of distinct natures, organic and inorganic. Based on the understanding of the need to reflect on artistic creativity in the artificial dimension, experienced in a dynamic of co-creation, the article will highlight some characteristics of a scenario in which the generation of artificialized works implies the adoption of anthropomorphized discourses capable of assimilating the metamorphosis that symbolizes both a new generation of technical images and a new moment for art and science. The analysis is built upon the notions of technical image (FLUSSER), incorporates the thought of systems as bodies (ZUANON), and briefly presents the notions of embodiment, emotion and, sociality (SUCHMAN) as elements to think about the next steps of creation assisted by intelligent interfaces. The creation platform Playform contributes to the construction of the narrative.
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Copyright (c) 2021 Erik Nardini Medina, Mauricius Martins Farina
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