Produção virtual em The Lion King (2019): apresentação formal e estilística

Autores

  • Sergei Glotov Tampere University

DOI:

https://doi.org/10.11606/issn.2238-7714.no.2022.205340

Palavras-chave:

O Rei Leão, Produção virtual, VR, Neoformalismo, Análise de filmes

Resumo

O Rei Leão (2019), da Disney, dirigido por Jon Favreau, foi produzido usando tecnologias de produção virtual, como filmagem em um espaço virtual. Embora a produção virtual de O Rei Leão (2019) tenha sido descrita em artigos jornalísticos, bem como em alguns trabalhos acadêmicos, quase não houve discussão sobre o impacto que a tecnologia teve no próprio filme. Utilizando a análise cinematográfica do neoformalismo, este estudo examina criticamente como a produção virtual de O Rei Leão (2019) influencia sua apresentação formal e estilística.

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Biografia do Autor

  • Sergei Glotov, Tampere University

    Doctoral Researcher at Tampere University, Finland, specializing in media literacy, intercultural education, and film studies. His project links film literacy and intercultural education to support critical reflection of cultural representation in audio-visual media. He has been teaching film survey and animation history courses for the past several years at both Tampere University and Helsinki Adult Education Center. He has also authored various education resources based on contemporary films for the Finnish film education organization Koulukino.

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Publicado

2023-02-11

Edição

Seção

DOSSIÊ

Como Citar

Glotov, . S. (2023). Produção virtual em The Lion King (2019): apresentação formal e estilística. Novos Olhares, 11(2), 153-160. https://doi.org/10.11606/issn.2238-7714.no.2022.205340