La producción virtual en El Rey León (2019): presentación formal y estilística

Autores/as

  • Sergei Glotov Tampere University

DOI:

https://doi.org/10.11606/issn.2238-7714.no.2022.205340

Palabras clave:

El Rey León, Producción virtual, RV, Neoformalismo, Análisis cinematográfico

Resumen

El Rey León (2019) de Disney, dirigida por Jon Favreau, se produjo utilizando tecnologías de producción virtual, como filmar dentro de un espacio virtual. Si bien la producción virtual de El Rey León (2019) ha sido descrita en artículos periodísticos, así como en algunos trabajos académicos, apenas hubo discusión sobre el impacto que tuvo la tecnología en la película misma. Utilizando el análisis cinematográfico del neoformalismo, este estudio examina críticamente cómo la producción virtual de El Rey León (2019) influye en su presentación formal y estilística.

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Biografía del autor/a

  • Sergei Glotov, Tampere University

    Doctoral Researcher at Tampere University, Finland, specializing in media literacy, intercultural education, and film studies. His project links film literacy and intercultural education to support critical reflection of cultural representation in audio-visual media. He has been teaching film survey and animation history courses for the past several years at both Tampere University and Helsinki Adult Education Center. He has also authored various education resources based on contemporary films for the Finnish film education organization Koulukino.

Referencias

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Publicado

2023-02-11

Número

Vol. 11 Núm. 2 (2022)

Sección

DOSSIÊ

Licencia

Derechos de autor 2023 Sergei Glotov

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0.

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Cómo citar

Glotov, . S. (2023). La producción virtual en El Rey León (2019): presentación formal y estilística. Novos Olhares, 11(2), 153-160. https://doi.org/10.11606/issn.2238-7714.no.2022.205340