Of those who write: (feminist body-writing policies at the academy)

Abstract

Touched from head to toe by African-Latin-American subjectivity that calls us to dispute narratives and destabilize truths said about us, we propose to (dis)orient ourselves in the wheels polyphony and possible voices - in university, in life, in relationships. Doing wheel-science and spinning in this essayistic wheel of heterogeneous women, marked by their stories, affected by a time, the way we choose to move affections, it is more than a method, it is a way of dancing and fighting, it is an ethos and a meeting policy. Our feminism is a practice to combat inequalities and oppression of race, gender, class, age and sexual orientation. To weave a writing-body is to write with the vital events that constitute ourselves, to become embodied in writing, artistic technology that produces and accompanies processes of subjectification. Writing-bodies of those who write that rationality is objective, partial, unfinished, local, contextualized, wild. With this artistic and feminist academy writing we perform science and life together. Producing knowledge builds awareness and actions that displaces, interfere, mix, reassess modes of existence. This is to create oneself. How many and which women are in the bibliographic references? With which women do we join hands in our knowledge production?