Industrial design: from transmission to translation
DOI:
https://doi.org/10.11606/issn.2317-2762.v18i29p68-78Keywords:
Industrial design, design, shape, function, social valueAbstract
The purpose of this paper is to confront industrial design and design and determine the cognitive differences between the two. In this sense, we notice that, if Industrial Design is defined as the legitimate index of modernist ideology of the 19th century, or else, at the peak of the productive system, as the forefront of a consumption society, Design comes up as a challenge to a post-industrial society that needs to re-invent the value of exchange and find out its social dimension.Downloads
References
ARGAN, Giulio Carlo. História da arte como história da cidade. São Paulo: Martins Fontes, 1983.
ARGAN, Giulio Carlo. Projeto e destino. São Paulo: Ática, 2001.
BAUDRILLARD, Jean. Le crepuscule des signes. Kioto: ICSID, 1973.
BAUDRILLARD, Jean.. O sistema dos objetos. São Paulo: Perspectiva, 1973.
BAUDRILLARD, Jean.. Simulacros e simulações. Lisboa: Relógio D´Agua, 1991.
BAUDRILLARD, Jean.. A sociedade de consumo. Lisboa: Ed. 70, 2007.
LOTMAN, Iuri. La semisofera I,II,III. Tradução de Desidério Navarro. Madri: Catedra, 1996.
SIMMEL, George. La tragédie de la culture. Paris: Rivages Poche, 1988.
PEIRCE, Charles Sanders. Collected papers. Hartshorne/Weiss; Burks/Cambridge: Harvard University
Press, 1958.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
DIADORIM - Diretório de Políticas Editoriais