0 Espaço Cenográfico do Espetáculo - presença na cidade e no edifício

Abstract

This work tries to stablish a stage design definition as exclusive of the scenic environment planning of theatre activity. We verify the existence of a double space, part of it physical and efficient and part an immaginary product of complicity. Through scenic action significative elements analysis we can stablish a stage-public relationship, in an immaginary field. Then w e verify in which way this kind of environment intervenes into physical space, both urban or inside a building. In the sequence we describe a dramatic intervention (just promoted by color lighting) into an architectural place known by the public, and the public reaction facing it