Simulacra Made in China: reports and origin of the image in transformation

Abstract

Ideas, language and their forms of expressions represent cultures by the configuration of man’s narrative and his achievements. Knowledge guides the technical capacity and practice for the social relations; however, to the domain of all the knowledge faculties that makes sense from the Occident to the Orient. Especially, considering that important History discoveries of the civilization also emerged from the Orient. China contributed in a very significant way to the arts and literature for the artistic humanity heritage. Christiane WagnerRevista Cultura e Extensão USPVolume 930 Mainly, during the 20th century, when the social-politics ideals were represented by the modern art finding formal and aesthetics references in the Orient. For instance, the Brecht’s work meaning, in front of the politic-ideological divisions on the last century, in what concerns to the art and its representation techniques. However, not as an ideological instrument, but for the aesthetic dimension, which is, for several reasons and universal, the fascination of new on the man. The same fascination to transform him, part of him to be or to have while represents him by means of his art. Finally, realizations approximate occidental and oriental cultures at the same time that distance them showing one on the other their own characteristics to discern them selves.