For sculpting and materializing time. The cinematographic representation of the vertical landscape of the city of Recife
DOI:
https://doi.org/10.3232/REB.2017.V4.N7.2826Keywords:
Audio-visual, cinema, filmic discourse, city, vertical landscape.Abstract
Since the 1990s, Recife has had its landscape transformed by vertical residential buildings. Such phenomenon is represented in films recently made in the city – an important cinema/audio-visual pole in Brazil. Such representation is not only about landscape as a scenario, but as a central theme in the scripts, collaborating for discussions about urban qualities and rights. Through a synchronic analysis, it is initially noticed that the production of Recife is descriptive/denunciative of the disturbance generated by the vertical landscape. In a second moment, however, it adopts a more technical discourse (typical of Architecture and Urbanism); at the same time, it is appropriated by collective actions and social movements which use it as an instrument for communication/mobilization.