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  3. Vol. 4 No. 1 (2018)

Vol. 4 No. 1 (2018)

					View Vol. 4 No. 1 (2018)
Published: 2018-10-24

Full Issue

  • PDF (Portuguese)

Article

  • The use of elements and rhetorical figures in Laudate Pueri by André da Silva Gomes

    Eliel Almeida Soares
    9-34
    • PDF (Portuguese)
  • Villa-Lobos and Tom Jobim an analysis of influences

    Juliana Ripke
    35-68
    • PDF (Portuguese)
  • Between erudite and the popular approaches and detachments in the formation of Brazilian urban music

    Luciana Fernandes Rosa, Silvia Maria Pires Cabrera Berg
    69-90
    • PDF (Portuguese)
  • Almir Sater considerations on the instrumentation of “Luzeiro” in the album Instrumental, launched in 1985

    Max Junior Sales
    91-107
    • PDF (Portuguese)
  • The barber of Seville analysis of some aspects of the intertextuality between the Beaumarchais’ comedy and the libretto of Rossini’s opera

    Regina Rocha
    108-137
    • PDF (Portuguese)
  • Dalcroze eurhythmics and the education of collaborative musicians

    Silvia Berg, Daniela Amaral Rodrigues Nicoletti
    138-161
    • PDF (Portuguese)

Comunication

  • Between “occupation” and “profession” considerations on work in music

    Helder Danilo Capuzzo
    162-173
    • PDF (Portuguese)

Translation

  • Application to the Council of the City of Leipzig

    Rubens Russomanno Ricciardi, Dorothea Hofmann; Johann Sebastian Bach
    174-183
    • PDF (Portuguese)

Score

  • Critical edition of Quartet nº 3 (1962) by Mozart Camargo Guarnieri

    Diego Rueda, Lucas E. S. Galon
    184-266
    • PDF (Portuguese)

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Keywords

eISSN: 2447-7117

Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto 

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