James Wood’s Rogósânti: aspects of the analysis in a first approach

Authors

  • Eliana C. M. G. Sulpicio Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto.
  • Ricardo Bologna Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2015.107645

Keywords:

percussion, Multiple percussion, analysis, interpretative practices

Abstract

This article presents some initial considerations on the James Wood’s composition Rogósânti. Written in 1986 for multiple percussion and dedicated to the percussionist Steven Schick, this piece is shaped into a large “tripartite route”, where the composer presents two main reasons based on rhythmic cells of Indian music. In this first stage of this analysis, we present some hypotheses concerning a possible “inspiration” linked to the concept of rhythmic characters of Oliver Messiaen.

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Published

2015-11-24

Issue

Vol. 1 No. 1 (2015)

Section

Article

License

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

James Wood’s Rogósânti: aspects of the analysis in a first approach. (2015). Revista Da Tulha, 1(1), 82-103. https://doi.org/10.11606/issn.2447-7117.rt.2015.107645