Set theory versus Neo-Riemannian Theory: Two interdependent approaches in the analysis of choros # 4 and # 7 of Villa-Lobos

Authors

  • Joel Miranda Bravo de Albuquerque Universidade de São Paulo. Escola de Comunicações e Artes.
  • Paulo de Tarso Salles Universidade de São Paulo. Escola de Comunicações e Artes.

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2015.107693

Keywords:

set theory, neo riemannian theory, Villa-Lobos, Cries n.4, cries n.7

Abstract

This paper proposes a simultaneous parallel between two different parameters of musical analysis which in our study appeared interdependent and necessary for building a sufficient theoretical framework for an understanding of the compositional aesthetic profile applied by Villa-Lobos in the classes of pitches in two excerpts of works from the 1920s: Choros # 4 and # 7.

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Published

2015-11-24

Issue

Vol. 1 No. 1 (2015)

Section

Article

License

Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Albuquerque, J. M. B. de, & Salles, P. de T. (2015). Set theory versus Neo-Riemannian Theory: Two interdependent approaches in the analysis of choros # 4 and # 7 of Villa-Lobos. Revista Da Tulha, 1(1), 104-126. https://doi.org/10.11606/issn.2447-7117.rt.2015.107693