Intertexual musical composition as an alternative to the XXI century avant-garde

Abstract

This article seeks to understand the intertextual musical composition as a viable alternative in contemporary music. From this perspective it is used some composition and musical analysis assumptions that form the basis for the study of intertextuality. The speech of the authors - actors complement the study and discussion. We conclude that the possibility of material and several technical appropriation is extremely relevant in intertextual aesthetics. For some authors this musical compositional attitude occurs in literature and music, and approaches a postmodern approach. It is also understood that this multifaceted complex , in short, is what characterizes the current production .