The career of the violeiro (brazilian ten string guitar player) Tião Carreiro — from the first duos to his success as the creator and “king” of the pagode genre
DOI:
https://doi.org/10.11606/issn.2447-7117.rt.2016.125299Keywords:
popular music, popular culture, Brazilian countryside music, Brazilian country music, Brazilian ten string guitarAbstract
This work presents a summary of the life and career of the singer, composer and viola caipira player Tião Carreiro (José Dias Nunes, 1934– 1993). Through the musical analysis of his extensive discography and the research of his biography – from the start of his music career through his entry into and impact on the sertanejo scene in the fifties, sixties, seventies and eighties – we seek to understand how extensively the artist used the traditional caipira musical matrices, genres and languages, and how he reconciled these with other tendencies and genres related to the interests of the market and the phonographic industry.Downloads
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Published
2016-06-16
Issue
Section
Conferência
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Authors retain copyright and grant the journal the right to first publication, with the work licensed under the Creative Commons Attribution License CC-BY-NC:
This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
Amaral, J. P. (2016). The career of the violeiro (brazilian ten string guitar player) Tião Carreiro — from the first duos to his success as the creator and “king” of the pagode genre. Revista Da Tulha, 2(1), 144-173. https://doi.org/10.11606/issn.2447-7117.rt.2016.125299