OBOE REEDS: MAKING, MATERIALS AND TOOLS

Authors

  • Josiane Cristina Cicolani University of São Paulo
  • Simone Gorete Machado University of São Paulo

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2017.135168

Keywords:

Oboe, Reed, Scraping.

Abstract

This work’s goal is to guide the beginner in oboe’s playing on the preparation of their own reed along with suggestions on how to handle the utensils necessary for this task. We present here a short history of the instrument and its predecessors showing the evolution from the first oboes to the contemporary models. There will also be presented topics such as the cane’s origin, its source, region and procedures on how to go from the cane in natura until the last part of the scraping. In addition, we detailed the canes’ molding and mooring procedure along with its scraping, specially the german kind. We hope to contribute to the craft that leads towards a balanced, flexible and vibrant sounding reed.

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Author Biographies

  • Josiane Cristina Cicolani, University of São Paulo
    Graduada Bacharel no curso de Música pela Universidade de São Paulo
  • Simone Gorete Machado, University of São Paulo

    Simone Gorete Machado holds a Master's in Music (Piano) and Master's Degree in Performance from The Hartt Schol - University of Hartford (USA); PhD in Music Arts (Piano / General Education) from the University of Arizona (USA). She is currently a PhD Professor of DM at FFCLRP-USP. His activities include teaching, research, extension and performance, in addition to the coordination of the Group Piano Lab. She is a co-author of Piano in a group: a textbook for higher education, author of the Comparative Study of North American Textbooks for Piano in a Group (Ictus Magazine) and Class piano connections: A Brazil-U.S. group piano project (Clavier Companion). He created the USP-RP Group Piano Meeting, continuing the organization of the II International Group Piano Meeting in 2012.

Published

2017-10-30

Issue

Section

Article

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