James Wood’s Rogósânti: aspects of the analysis in a first approach
DOI:
https://doi.org/10.11606/issn.2447-7117.rt.2015.107645Palabras clave:
percussion, Multiple percussion, analysis, interpretative practicesResumen
This article presents some initial considerations on the James Wood’s composition Rogósânti. Written in 1986 for multiple percussion and dedicated to the percussionist Steven Schick, this piece is shaped into a large “tripartite route”, where the composer presents two main reasons based on rhythmic cells of Indian music. In this first stage of this analysis, we present some hypotheses concerning a possible “inspiration” linked to the concept of rhythmic characters of Oliver Messiaen.Descargas
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2015-11-24
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Los autores conservan los derechos de autor y otorgan a la revista el derecho a la primera publicación, con el trabajo bajo la licencia de atribución Creative Commons CC-BY-NC:
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Cómo citar
Sulpicio, E. C. M. G., & Bologna, R. (2015). James Wood’s Rogósânti: aspects of the analysis in a first approach. Revista Da Tulha, 1(1), 82-103. https://doi.org/10.11606/issn.2447-7117.rt.2015.107645