From the waste land to the storm: José Paulo Moreira da Fonseca and the poetic reception of Eliot in Brazilian poetry of the 50s
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i69p389-416Keywords:
José Paulo Moreira da Fonseca, T. S. Eliot, The waste land, Giorgione, VelazquezAbstract
The first reception of T. S. Eliot, whether as critic or poet, in Brazil dates from Generation of ’45. This article examines one representative moment of the intertextual dialogue with The waste land (1922): it is the poem “A tempestade” (“The storm”) of the poet-painter José Paulo Moreira da Fonseca (1922-2004). Because of his double talent, Fonseca also extends the dialogue in his poem to the painting (through ekphrasis), especially with Giorgione and Velazquez.Downloads
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Published
2018-04-27
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- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Camilo, V. (2018). From the waste land to the storm: José Paulo Moreira da Fonseca and the poetic reception of Eliot in Brazilian poetry of the 50s. Revista Do Instituto De Estudos Brasileiros, 69, 389-416. https://doi.org/10.11606/issn.2316-901X.v0i69p389-416