Paris 1923: circulations of sociability in anthropophagic cabarets

Authors

DOI:

https://doi.org/10.11606/2316901X.n90.2025.e10744

Keywords:

Paris 1923, Brazilian modernism, Cultural criticism

Abstract

We analyze the book 1923: os modernistas brasileiros em Paris, highlighting its contributions to understanding the cultural dynamics of Brazilian artists who settled in 1920s Paris. In addition to investigating the transnational exchanges of figures such as Tarsila do Amaral, Oswald de Andrade, Di Cavalcanti, Rego Monteiro, Sérgio Milliet, and Heitor Villa-Lobos, who negotiated their place in international modernism while promoting their Brazilian peers, the book reveals cultural circulations between Brazilian and French artists, addressing themes such as (non)submission to European expectations of “exoticism” and the potential of early Brazilian modernism to influence French artists.

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Author Biography

  • Ricardo Gaiotto de Moraes, Universidade Federal de Santa Catarina

    Professor adjunto de Literatura Brasileira na Universidade Federal de Santa Catarina (UFSC).

References

ANDRADE, Gênese (Org.). Modernismos 1922-2022. Consultor: Jorge Schwartz. São Paulo: Companhia das Letras, 2022.

ANDRADE, Gênese (Org.). Correspondência: Mário de Andrade & Oswald de Andrade. São Paulo: Edusp; IEB, 2023.

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Published

2025-05-07

Issue

n. 90 (2025)

Section

Book Reviews

License

Copyright (c) 2025 Revista do Instituto de Estudos Brasileiros

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.

How to Cite

Moraes, R. G. de . (2025). Paris 1923: circulations of sociability in anthropophagic cabarets. Revista Do Instituto De Estudos Brasileiros, 1(90), e10744. https://doi.org/10.11606/2316901X.n90.2025.e10744