Cinema = "Digging": Cendroswald cinema productions

Authors

  • Carlos Augusto Calil Universidade de São Paulo; Escola de Comunicação e Artes; Departamento de Cinema, Rádio e Televisão

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i47p13-28

Keywords:

Blaise Cendrars, Modernism, Oswald de Andrade, Cinema, Digging, Revolution of 1924

Abstract

In 1924, Blaise Cendrars, working on an ambitious "propaganda film about Brazil" project with Oswald de Andrade, had the chance of witnessing the outbreak of the 1924 Revolution, viciously disbanded by the federal government. This experience left a deep impression on his imagination and buried his plans of shooting the film in Brazil, based on episodes from the history of São Paulo. One of the elements which brought together Cendrars and Oswald was their commonly-shared desire of becoming diggers-moviemakers.

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Published

2008-09-01

Issue

No. 47 (2008)

Section

Articles

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Calil, C. A. (2008). Cinema = "Digging": Cendroswald cinema productions . Revista Do Instituto De Estudos Brasileiros, 47, 13-28. https://doi.org/10.11606/issn.2316-901X.v0i47p13-28