Mário de Andrade The Sequestration of Desire and the Popular Music in Verses

Authors

  • Cristiane Rodrigues de Souza Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i57p111-137

Keywords:

Poetry, music, “sequestro”, Remate de males, Mário de Andrade.

Abstract

In Remate de males (1930), the fourth modernist book of Mário de Andrade, the first poem of the group Tempo da Maria – “Moda do corajoso” – has a lyrical voice that wavers between the consciousness of the absurdity of his love for a married woman and, at the same time, the awareness of been overwhelmed by it. As a reader of Freud, Mário de Andrade is concerned of the process of sublimation and repression – the so called “sequestration of the absent lady” – found by him in Brazilian popular culture and also present is his verses. Moreover, there is in the poem the reinvention of the popular Brazilian musicality. The careful study of the verses of “Moda do corajoso” shows, therefore, the sublimation of desire for a prohibited lady, as well as the influence of music in Mário de Andrade’s thought, constant concern that can be found in his verses.

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Author Biography

  • Cristiane Rodrigues de Souza, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo

    Mestre em Estudos Literários pela FCL-Ar Unesp, doutora em Literatura Brasileira pela Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, FFLCH-USP e professora de Literatura Brasileira e de Teoria da Literatura do Centro Universitário Barão de Mauá. Integrante do Grupo de estudos em literatura contemporânea (GELIC).

Published

2013-12-31

Issue

Section

Dossiê Mario de Andrade

How to Cite

Souza, C. R. de. (2013). Mário de Andrade The Sequestration of Desire and the Popular Music in Verses. Revista Do Instituto De Estudos Brasileiros, 57, 111-137. https://doi.org/10.11606/issn.2316-901X.v0i57p111-137