Mário de Andrade The Sequestration of Desire and the Popular Music in Verses
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i57p111-137Keywords:
Poetry, music, “sequestro”, Remate de males, Mário de Andrade.Abstract
In Remate de males (1930), the fourth modernist book of Mário de Andrade, the first poem of the group Tempo da Maria – “Moda do corajoso” – has a lyrical voice that wavers between the consciousness of the absurdity of his love for a married woman and, at the same time, the awareness of been overwhelmed by it. As a reader of Freud, Mário de Andrade is concerned of the process of sublimation and repression – the so called “sequestration of the absent lady” – found by him in Brazilian popular culture and also present is his verses. Moreover, there is in the poem the reinvention of the popular Brazilian musicality. The careful study of the verses of “Moda do corajoso” shows, therefore, the sublimation of desire for a prohibited lady, as well as the influence of music in Mário de Andrade’s thought, constant concern that can be found in his verses.Downloads
Download data is not yet available.
Downloads
Published
2013-12-31
Issue
Section
Dossiê Mario de Andrade
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.
How to Cite
Souza, C. R. de. (2013). Mário de Andrade The Sequestration of Desire and the Popular Music in Verses. Revista Do Instituto De Estudos Brasileiros, 57, 111-137. https://doi.org/10.11606/issn.2316-901X.v0i57p111-137