Voice and cultural memory in Litoral: "Reseña de una vida inútil" (1926-1959), by Luis Palés Matos
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i63p67-85Palabras clave:
Luis Palés Matos, collective memory, Antillean culture, soundResumen
This article analyzes the representation of sound and music in a selection of writings by Porto Rican poet Luis Palés Matos (1898-1959) through their relation with cultural memory in the Antilles. It examines the significance of musicality in two different levels: at the level of aesthetic form – of sound and rhythm – and at the level of social and political representations – of popular culture, African and mestizo heritage, which had been considered marginal until then. These two levels of the musical phenomenon point to Palés Matos’ intent to transform the relation between aesthetic discourse and social collectivity through the creation of a new understanding of Antillean culture, language and religious ritual in the context of modern Puerto Rico.Descargas
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2016-04-29
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- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
Cómo citar
Josiowicz, A. (2016). Voice and cultural memory in Litoral: "Reseña de una vida inútil" (1926-1959), by Luis Palés Matos. Revista Do Instituto De Estudos Brasileiros, 63, 67-85. https://doi.org/10.11606/issn.2316-901X.v0i63p67-85