Voice and cultural memory in Litoral: "Reseña de una vida inútil" (1926-1959), by Luis Palés Matos

Autores/as

  • Alejandra Josiowicz Casa de Oswaldo Cruz

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i63p67-85

Palabras clave:

Luis Palés Matos, collective memory, Antillean culture, sound

Resumen

This article analy­zes the representation of sound and music in a selection of writings by Porto Rican poet Luis Palés Matos (1898-1959) through their relation with cultural memory in the Antilles. It exa­mines the significance of musicality in two different levels: at the level of aesthetic form – of sound and rhythm – and at the level of so­cial and political representations – of popular culture, African and mestizo heritage, which had been considered marginal until then. These two levels of the musical phenomenon point to Palés Matos’ intent to transform the re­lation between aesthetic discourse and social collectivity through the creation of a new un­derstanding of Antillean culture, language and religious ritual in the context of modern Puer­to Rico.

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Publicado

2016-04-29

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Artigos

Cómo citar

Josiowicz, A. (2016). Voice and cultural memory in Litoral: "Reseña de una vida inútil" (1926-1959), by Luis Palés Matos. Revista Do Instituto De Estudos Brasileiros, 63, 67-85. https://doi.org/10.11606/issn.2316-901X.v0i63p67-85