“Festa acabada, músicos a pé!”: a critical research of active musicians’s labor relations in the state of Rio de Janeiro
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i64p249-274Palabras clave:
Mundo do trabalho, capitalismo tardio, cultura, músico, Rio de Janeiro.Resumen
The general goal of this paper is to analyze and to discuss the ways in which the culture – and the work of those who perform in this industry – has been appropriated, when it comes to the valorization of the capital in the current stage of the capitalist production method. As a specific target of research, we developed a study alongside professional musicians, aiming to understand the reality in which they live and work. Through this study, we sought subsides for the understanding of the reality of the musician’s work – usually informal and precarious – compared to the figures presented by the official statistics that indicate the “promising data” of this industry for the Brazilian economy.Descargas
Los datos de descarga aún no están disponibles.
Descargas
Publicado
2016-08-23
Número
Sección
Artigos
Licencia
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
Cómo citar
Requião, L. (2016). “Festa acabada, músicos a pé!”: a critical research of active musicians’s labor relations in the state of Rio de Janeiro. Revista Do Instituto De Estudos Brasileiros, 64, 249-274. https://doi.org/10.11606/issn.2316-901X.v0i64p249-274