“Festa acabada, músicos a pé!”: a critical research of active musicians’s labor relations in the state of Rio de Janeiro

Autores/as

  • Luciana Requião Universidade Federal Fluminense

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i64p249-274

Palabras clave:

Mundo do trabalho, capitalismo tardio, cultura, músico, Rio de Janeiro.

Resumen

The general goal of this paper is to analyze and to discuss the ways in which the culture – and the work of those who perform in this industry – has been appropriated, when it comes to the valorization of the capital in the current stage of the capita­list production method. As a specific target of research, we developed a study alongside pro­fessional musicians, aiming to understand the reality in which they live and work. Through this study, we sought subsides for the unders­tanding of the reality of the musician’s work – usually informal and precarious – compared to the figures presented by the official statistics that indicate the “promising data” of this indus­try for the Brazilian economy.

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Publicado

2016-08-23

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Artigos

Cómo citar

Requião, L. (2016). “Festa acabada, músicos a pé!”: a critical research of active musicians’s labor relations in the state of Rio de Janeiro. Revista Do Instituto De Estudos Brasileiros, 64, 249-274. https://doi.org/10.11606/issn.2316-901X.v0i64p249-274