Popular cultures and new performance contexts in contemporary Brazil the case of Folklore Festival of Olímpia

the case of Folklore Festival of Olímpia

Auteurs

DOI :

https://doi.org/10.11606/issn.2316-901X.v0i73p100-122

Mots-clés :

Ethnomusicology, communities of practice, folklore festivals, new performance contexts

Résumé

This paper reflects on the role of folklore festivals in the contemporary world. Based on ethnographic research carried out in the context of the Folklore Festival of Olímpia – FEFOL – (São Paulo/Brazil) and with Pastoril Dona Joaquina de São Gonçalo do Amarante (Rio Grande do Norte/Brazil), folklore festivals will be understood as new contexts of performance for the practices of the performative groups of Brazilian popular cultures. The reflection is based on Wenger (2012) and Turino (2008).

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Publiée

2019-09-04

Numéro

n. 73 (2019)

Rubrique

Dossiê: O musicar como trilha para a etnomusicologia

Licence

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.

Comment citer

Reis, E. A. dos. (2019). Popular cultures and new performance contexts in contemporary Brazil the case of Folklore Festival of Olímpia: the case of Folklore Festival of Olímpia. Revista Do Instituto De Estudos Brasileiros, 73, 100-122. https://doi.org/10.11606/issn.2316-901X.v0i73p100-122