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Vol. 23 No. 3 (2024)

View Vol. 23 No. 3 (2024)

Published: 2024-12-26

Full Issue

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EDITORIAL

Editorial

Alessandra Montagner, Franciane Kanzelumuka S. de Paula, Marcos Bulhões Martins, Renata Ap. Felinto dos Santos, Rodrigo Severo

1-8
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ARTIGOS EM FLUXO CONTÍNUO

In the beginning there was affect

Suely Rolnik

240-291
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DOSSIÊ PERFORMATIVIDADES NEGRAS

Performance Bombril: from racist attack to poetics of resistance

Priscila Rezende , Marcelo Eduardo Rocco Gasperi

9-35
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Scene Records: The Posthumous Images of TEN as a Poetic Perpetuation of Black Theater

Viviane da Soledade

36-66
- PDF (Portuguese)
To dance/to write/to know: a spiral perspective of the avamunha dance

Laís Salgueiro Garcez

67-93
- PDF (Portuguese)
The Old Man’s Baiar: corpographies of an Afro-Maranhão vodum as creative reverberation

Vinicius Viana Ferreira

94-110
- PDF (Portuguese)
Crossroad poetics: Capoeira in the scene game

Marlini de Lima, Renata Kabilaewatala, Jordana Dolores Peixoto, Claúdia Cardoso Barreto

111-139
- PDF (Portuguese)
Subjects of speech: contemporary dramaturgy, Black authors, and writing as domination (or emancipation?)

Carlos Alberto Mendonça Filho

140-159
- PDF (Portuguese)
The theater of white revolution is over: antiracist speech acts in Legítima Defesa

Vicente Carlos Pereira Júnior

160-190
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The scene is black and anti-racist!: considerations about research on Black performances in Brazil

Rogério Lopes da Silva Paulino

191-219
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Silvestre technique and the power of the encounter between tradition and contemporaneity: Ana Beatriz C. Rezende interviews Vera Passos

Ana Beatriz C. Rezende, Vera Passos

220-239
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