Talking about aesthetic experience to think about the place of mediation

Authors

  • Arlene von Sohsten Universidade de Brasília

DOI:

https://doi.org/10.11606/issn.2238-3867.v18i1p126-137

Keywords:

aesthetic experience, observation, mediation

Abstract

This article is intended to unravel an understanding about what is known as aesthetic experience in art from similarities found between Clarice Lispector’s character G.H. and the writings of Georges Didi-Huberman on the relationship between observer and observed, as well as to explore the subject’s position in the aesthetic experience. Finally, such subject’s position is also the place where the mediation occurs.

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Author Biography

  • Arlene von Sohsten, Universidade de Brasília

    Mestra em Artes Cênicas pela Universidade de Brasília (UnB)

References

BENJAMIN, Walter. Magia e Técnica, Arte e Política: ensaios sobre literatura e história da cultura. Tradução: Sergio Paulo Rouanet. São Paulo: Brasiliense, 1994 – Obras escolhidas. V. 1.

BONDÍA, Jorge L. Notas sobre a experiência e o saber de experiência. Revista Brasileira de Educação, Rio de Janeiro, n. 19, p. 20-28, Jan./Abr. 2002.

DEWEY, John. Arte como experiência. Tradução: Vera Ribeiro. São Paulo: Martins Fontes, 2010.

DIDI-HUBERMAN, G. O que vemos, o que nos olha. Tradução: Paulo Neves. São Paulo: Editora 34, 2010.

LISPECTOR, Clarice. A Paixão Segundo G.H. 18ª edição. Rio de Janeiro: Francisco Alves, 1995.

Published

2018-06-30

Issue

Section

MEDIATION

How to Cite

von Sohsten, A. (2018). Talking about aesthetic experience to think about the place of mediation. Sala Preta, 18(1), 126-137. https://doi.org/10.11606/issn.2238-3867.v18i1p126-137