EXPELLED, AS ITALIANS ACTORS FROM PALAIS DE BOURGOGNE

Mission, adventures and a sad end for Teatro Novo (Rio de Janeiro, 1968)

Authors

  • Alessandra Vannucci Universidade Federal do Rio de Janeiro. Escola de Comunicação
  • Bruno Moraes Regenthal Uuniversidade Federal de Ouro Preto

DOI:

https://doi.org/10.11606/issn.2238-3867.v18i2p57-83

Keywords:

Gianni Ratto, Modern theatre history and historiography in Brasil, Teatro Novo

Abstract

Teatro Novo trajectory, restored by research in unpublished sources of the Gianni Ratto Archive (SP), fixed a “stable theatre” project in Rio de Janeiro (1968) opposing dictatorship and being closed, after eight mounts of intense activity. We analise the implanting ideas and resources, by which Ratto aimed a self-reliable production and a resident team, a multipurpose repertoire that included dance and music besides dramatic theatre, a living school for public as well as artistic class formation. Inconsistencies between project and practices are symptoms of Teatro Novo possible relevance in the counter-cultural panorama although his legacy has been ignored, so far, in Brazilian theatre and culture history.

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Author Biographies

  • Alessandra Vannucci, Universidade Federal do Rio de Janeiro. Escola de Comunicação

    Diretora e Dramaturga, doutora em Letras na PUC-Rio, docente em Direçao Teatral na ECO-UFRJ e de Processos Criativos no PPGAC-UFRJ

  • Bruno Moraes Regenthal, Uuniversidade Federal de Ouro Preto
    Student with a scholarship for Scientific Initiation in the research directed by Alessandra Vannucci on "Traveling Companies" at DEART / UFOP (2012), took part at research that provided basis for this essay.

     

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Published

2018-12-28

Issue

Vol. 18 No. 2 (2018)

Section

DOSSIÊ ASPECTOS DA CENA MODERNA NO BRASIL

License

Copyright (c) 2018 Alessandra Vannucci, Bruno Moraes Regenthal

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How to Cite

Vannucci, A., & Regenthal, B. M. (2018). EXPELLED, AS ITALIANS ACTORS FROM PALAIS DE BOURGOGNE: Mission, adventures and a sad end for Teatro Novo (Rio de Janeiro, 1968). Sala Preta, 18(2), 57-83. https://doi.org/10.11606/issn.2238-3867.v18i2p57-83