CPC and MST

forms and productive dynamics of the Brazilian political theater in two historical times

Authors

  • Rafael Litvin Villas Bôas Universidade de Brasília

DOI:

https://doi.org/10.11606/issn.2238-3867.v19i1p150-162

Keywords:

Political theater, Political culture, Productive dynamics

Abstract

The article aims to reflect on the conditions of production, on the evolution of forms from the concrete experience of theatrical work articulated to the demands of political organizations, considering the experiences of the 1960s, in particular the Popular Culture Center of the National Union of Students (CPC), in comparison with the theatrical experience developed by the Landless Workers Movement (MST) and theater collectives bound to it. The argument aims to articulate the narrative of experiences with the editorial effort to disseminate the work of theoreticians, directors and emblematic organizations of the Brazilian and international political theater and aims to point out similar characteristics among the organizations, despite the differences of contexts, which signify measures of construction of a popular political culture in Brazil.

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Author Biography

  • Rafael Litvin Villas Bôas, Universidade de Brasília

    Professor doutor de Literatura e Teatro da Universidade de Brasília (UnB). Leciona nos programas de pós-graduação em Artes Cênicas (PPG-AC) e Mestrado Profissional em Artes (UnB) e Desenvolvimento Territorial da América Latina e Caribe (Unesp/Escola Nacional Florestan Fernandes). Coordenador do Coletivo Terra em Cena e da Escola de Teatro Político e Vídeo Popular do Distrito Federal

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Published

2019-08-30

Issue

Vol. 19 No. 1 (2019)

Section

EM PAUTA

License

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How to Cite

Bôas, R. L. V. (2019). CPC and MST: forms and productive dynamics of the Brazilian political theater in two historical times. Sala Preta, 19(1), 150-162. https://doi.org/10.11606/issn.2238-3867.v19i1p150-162